Cahuilla (pronounced Kah-we-ah)
means "masters" or "powerful one" and 2,500 years ago
these fiercely resourceful people learned to survive the blistering
temperatures of the dry, unyielding land by digging wells. They devised
creative methods for using local plant life such as acorns, mesquite and pinyon. And they built their homes (known as a kish) from reeds, branches and brush.
The Cahuilla were divided into two moieties
or groups of clans: the Wildcat and Coyote. They were further divided into
approximately a dozen patrilineal clans, each having
its own name, territory and common ancestry.
In addition to the Cabazon
Band, other Cahuilla tribes in Southern California are the Agua Caliente Band of Cahuilla Indians in Palm Springs,
the Augustine Band of Mission Indians near Coachella, the Cahuilla Band of
Mission Indians and Ramona Band of Mission Indians near Anza, the Morongo Band
of Mission Indians near Banning, the Santa Rosa Band of Mission Indians near
Hemet, the Los Coyotes Indians near Warner Springs and the Torres-Martinez Band
of Desert Cahuilla near Thermal.

Cahuilla baskets evidence the artistry and love of
beauty by these peace-loving people. Designs taken from nature, such as
animals, birds, clouds and lightning were produced from varying shades of the
rush. But perhaps the most common means of aesthetic expression was music.
Tribal history was recorded in songs.
In the 1850s, the Cahuilla population began
to dwindle. The Southern Pacific Railroad laid claim to local water rights,
resulting in poor crops and forcing Cahuilla to move many times.
Along with other California cultures, the Cahuilla produced the best basketry
in the world. This art form, which flourished in the late 19th and early 20th centuries, was almost lost. But
it has recently been revived, especially in association with the tribally
controlled Malki Museum on the Morongo Reservation